INTRODUCTION: PEOPLE, PLACES, STORIES
Foreword by the Council of Europe: The Faro Convention and institutional support to heritage communities
Foreword by Jaume I University of Castelló, Spain: Building heritage communities
THE NOLLA COMMUNITY, A MOSAIC OF FARO CONVENTION GOOD PRACTICES
Abstract
Introduction (aim, definitions and principles)
The contribution of cultural heritage to society and human development
Shared responsibility and public participation
Follow-up work
Bibliography
GENIUS LOCI: URBANISATION AND THE IMAGINATION OF CIVIL SOCIETY
Abstract
Background
Methodology and key terms
Planning cycle
Community art cycle
Municipality cycle
Campaigning cycle
A way forward
Conclusion
Bibliography
TOWARDS A HERITAGE COMMUNITY. PAX – PATIOS DE LA AXERQUÍA, URBAN REHABILITATION STRATEGY AND SOCIAL INNOVATION Abstract
Mediterranean urban culture
The social value of heritage
Cordoba, urban heritage community laboratory
Bibliography
THE MAKING OF A HERITAGE COMMUNITY: THE LAB-8 PROJECT AND ITS IMPACT IN THE L’AQUILA RECONSTRUCTION PROCESS
Abstract
Revitalisation of places through people and stories
Intergenerational exchanges
Exchanges with artists and designers
Conclusions
HERITAGE HUBS: PRACTISING THE PRINCIPLES OF THE FARO CONVENTION THROUGH TRANSNATIONAL HERITAGE EDUCATION
Abstract
Introduction
Heritage Hubs school pilots
The Faro principles in Heritage Hubs
Conclusions
Bibliography
FARO CONVENTION NETWORK PROCESS: PROPOSED INDICATORS FOR HERITAGE COMMUNITY SELFASSESSMENT
Faro Convention and heritage communities
The Faro Process and the Faro Convention Network
Proposed indicators for heritage community self-assessment
The Heritage Community of Molo San Vincenzo
Conclusions: possible experimentation with the FCN
Bibliography
POWER OF IMAGINATION, A STORY OF LIVING HERITAGE - TWO PERSPECTIVES ON ALMAŠKI KRAJ
Abstract
Ivana Volić
Violeta Đerković
BRINGING HERITAGE COMMUNITY ARCHIVES TO LIFE
The starting point …
Searching for answers …
What is an archive in France? How are they preserved? Who is responsible for them? Who can use them for what purpose?
Why should heritage communities worry about archives?
What can a framework convention like the Faro Convention offer archive processes?
What do heritage communities add to archiving processes?
What experiments would the Faro Convention make possible?
Bibliography
CINEMA AS A KNOWLEDGE TOOL IN BUILDING VALUE AROUND HERITAGE: A FESTIVAL FOR FARO
Premise
Cinema and knowledge
Unexplored possibilities
Making culture
Cinema and heritage communities
A proposal for Faro
Bibliography
